About the Song

Released in September 1983 on the album Waylon and Company, “Hold On, I’m Comin’” finds Waylon Jennings joining forces with Jerry Reed to deliver a spirited cover of the soul classic originally by Sam & Dave.

In this version, Jennings and Reed bring a country-tinged swagger to a song rooted in Memphis soul. The original lyric “Don’t you worry, my little sister / I’ll be comin’ on home” gains new texture when sung through the lens of two country royalty. The blend of Jennings’ authoritative baritone and Reed’s agile guitar work and vocal interplay gives the track a feel that’s both reverent and irreverent—a nod to its soul origins and a wink at the outlaw country spirit.

Musically, the song’s arrangement on Waylon and Company stays relatively close to the groove of the original—horn stabs, rhythm drive, bold vocal delivery—but it is anchored in country instrumentation and attitude. Jennings doesn’t soften the edges; instead, he leans into the energy, giving the listener a moment of pure musical fun that also carries weight: this is a man confident enough to say “I’m comin’”.

For long-time listeners of Jennings, this track stands out because it’s not a classic heartbreak ballad or a stoic reflective tune—it’s an anthem of arrival, of promise, of movement. For older fans who’ve watched Jennings through decades of change, his voice here reminds us that beyond the bitterness or regret, there’s still joy in the ride.

In short, “Hold On, I’m Comin’” with Waylon Jennings and Jerry Reed is a dynamic moment in his catalogue: a show of musical respect, a throwback to soul roots, and a celebration of living loud on your own terms.

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