Music

“In My Own Way I’m a Believer”: Waylon Jennings’s “I Do Believe”

About the Song

Written and performed by Waylon Jennings and released in April 1995 on the album The Road Goes On Forever by the super‑group The Highwaymen (which included Jennings, Johnny Cash, Willie Nelson, and Kris Kristofferson), “I Do Believe” stands as one of Jennings’s most philosophical and introspective compositions.

In this song, Jennings strips away the bravado and spotlight of his outlaw image and strips it back to a contemplative core. He sings of faith—not necessarily the conventional kind defined by dogma, but of a quietly personal belief:

“In my own way I’m a believer / In my own way right or wrong / I don’t talk too much ‘bout it / It’s something I keep workin’ on.” 
The phrasing and tone capture the wear‑and‑learned wisdom of a man who’s been on the road, faced the consequences of choices, and arrived at a place where belief means something lived rather than preached.

Musically, the recording is earnest and unambiguous. Jennings takes lead vocals, supported by The Highwaymen’s instrumentation, and producer Don Was gives the song a crisp but unflashy presence—allowing the lyrics and Jennings’s weathered baritone to carry the emotional weight. The mood leans toward an evening’s quiet reflection instead of a twenty‑year‑old’s first blaze of ambition.

For older listeners, especially those who know the lengths of highways and the cost of nights away from home, “I Do Believe” resonates deeply. It addresses themes of self‑examination, redemption, and the hope that, even when roads are long and the lights grow dim, belief can be something steady. Jennings doesn’t offer certainties—he offers a confession, a hope, a holding‑space for faith that is simultaneously fragile and strong.

In the arc of Waylon Jennings’s career, this song marks a mature moment—less about rebellion, more about reckoning. It reminds us that the outlaw legend wasn’t only about breaking rules; he was also about acknowledging what remains, what matters, and what one still believes when the stage is dark.

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